|Radical Software issue 01 cover|
|Editor||Beryl Korot, Phyllis Gershuny, and Ira Schneider|
|Origin||New York City, NY, USA|
|Active||Spring 1970 - Summer 1974|
|Topics||Video Production, Video|
|Number of Issues||11|
Radical Software was an important voice of the American video community in the early 70s; the only periodical devoted exclusively to independent video and video art at the time when those subjects were still being invented. Issues included contributions by Nam June Paik, Douglas Davis, Paul Ryan, Frank Gillette, Beryl Korot, Charles Bensinger, Ira Schneider, Ann Tyng, R. Buckminster Fuller, Gregory Bateson, Gene Youngblood, Parry Teasdale, Ant Farm, and many others.
Eleven issues of Radical Software were published from 1970 to 1974, first by the Raindance Foundation and then by the Raindance Foundation with Gordon and Breach Publishers.
Radical Software was the name used for an early video journal started in 1970 in New York City; at the time this referred to the content of information. The founders of Radical Software video journal were Phyllis Gershuny and Beryl Korot.
The video journal was begun with a questionnaire sent to a wide variety of interested people. The first issue was a creative editing of the answers to the questionnaire plus some additional special articles. The most outstanding element of Radical Software video journal was the style and emphasis used in editing. The content itself was a call to pay attention to the way information itself is disseminated. And it was a call to encourage a grassroots involvement in creating an information environment exclusive of broadcast and corporate media. It became immediately important and popular as it grasped fully what a lot of people had been concerned with and thinking about; giving its introduction a synchronicity of the ideas of the day.
Its editing was ultimately taken over by its original publisher, Raindance Corporation, a loosely formed group of like-minded videographers: some with a philosophical bent, painters, and an aspiring Hollywood producer. Michael Shamberg who went on to become a Hollywood producer co-edited Issue #5 of Radical Software along with Dudley Evenson. Dudley's husband Dean Evenson provided articles, tech drawings and cartoons. Not all members of Raindance were involved with Radical Software. Ira Schneider was added to its founders list as his importance in maintaining a mailing list and some helpful suggestions were recognized. Schneider did not edit any of the original issues. He and Korot went on to be the editors after the third issue had begun. There was a split at that time in the editorial direction and the original vision was altered to comply with that, causing a fissure and Gershuny's untimely departure. Several subsequent issues were farmed out to other groups and the format and direction shifted yet again.
Radical Software's focus on early politically and socially concerned videos gave way to video art, which is where it remains today.
The current website of Radical Software was created by Schneider and Davidson Gigliotti. It was developed without the approval or review of Korot or Segura (Gershuny), and as such may offer a limited or inauthentic view of the organization.
|Volume 1, Issue 01 (Spring 1970)||Famicoman||Archive.org|
|Volume 1, Issue 02 (Autumn 1970)||Famicoman||Archive.org|
|Volume 1, Issue 03 (Spring 1971)||Famicoman||Archive.org|
|Volume 1, Issue 04 (Summer 1971)||Famicoman||Archive.org|
|Volume 1, Issue 05 (Spring 1972)||Famicoman||Archive.org|
|Volume 2, Issue 01 (Winter 1972)||Famicoman||Archive.org|
|Volume 2, Issue 02 (Spring 1973)||Famicoman||Archive.org|
|Volume 2, Issue 03 (Summer 1973)||Famicoman||Archive.org|
|Volume 2, Issue 04 (Autumn 1973)||Famicoman||Archive.org|
|Volume 2, Issue 05 (Winter 1973)||Famicoman||Archive.org|
|Volume 2, Issue 02 (Summer 1974)||Famicoman||Archive.org|